100 Anos da Semana da Arte Moderna de 1922
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Fórum sobre os 100 Anos da Semana de Arte Moderna de 1922
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Data: de 14 a 17 de fevereiro de 2022 (19h-20:30h)
Local: Evento virtual GRATUITO – em razão da pandemia do Covid-19
Realização: IODA – Instituto Observatório do Direito Autoral / GEDAI – Grupo de Estudos de Direito Autoral e Industrial
Coordenação: Prof. Marcos Wachowicz
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A Semana de Arte Moderna (SAM), ocorreu em São Paulo, entre os dias 13 e 17 de fevereiro de 1922 no Teatro Municipal da cidade. Cada dia da semana trabalhou um aspecto cultural: pintura, escultura, poesia, literatura e música. O evento marcou o início do modernismo no Brasil e tornou-se referência cultural do século XX, marcando os 100 anos da independência do Brasil.
Agora passados 100 anos da Semana de 22, estamos realizando Fórum multidisciplinar, para analisar os impactos desta verdadeira renovação de linguagem no contexto sócio cultural do país, bem como, para refletir sobre a ruptura ocorrida da vanguarda para o modernismo, compreendendo as novas ideias e conceitos artísticos que perpassaram a produção cultural nacional no último século.
O Fórum para propiciar uma abordagem multidisciplinar, numa perspectiva histórico-cultural-júridica foi estruturado em quatro eixos:
I – Perspectiva Histórica e impactos presentes da SAM
II – Antropofagia e Re-antropofagia
III – SAM, direitos culturais, patrimônio e mercado artístico brasileiro
IV- SAM, autoria e artes visuais
Veja a programação completa:
” content_phone=”
A Semana de Arte Moderna (SAM), ocorreu em São Paulo, entre os dias 13 e 17 de fevereiro de 1922 no Teatro Municipal da cidade. Cada dia da semana trabalhou um aspecto cultural: pintura, escultura, poesia, literatura e música. O evento marcou o início do modernismo no Brasil e tornou-se referência cultural do século XX, marcando os 100 anos da independência do Brasil.
Agora passados 100 anos da Semana de 22, estamos realizando Fórum multidisciplinar, para analisar os impactos desta verdadeira renovação de linguagem no contexto sócio cultural do país, bem como, para refletir sobre a ruptura ocorrida da vanguarda para o modernismo, compreendendo as novas ideias e conceitos artísticos que perpassaram a produção cultural nacional no último século.
O Fórum para propiciar uma abordagem multidisciplinar histórico-cultural-júridica foi estruturado em quatro eixos:
I – Perspectiva Histórica e impactos presentes da SAM
II – Antropofagia e Re-antropofagia
III – SAM, direitos culturais, patrimônio e mercado artístico brasileiro
IV- SAM, autoria e artes visuais
Veja a programação completa:
” content_last_edited=”on|phone” _builder_version=”4.16″ _module_preset=”default” text_font_size=”16px” global_colors_info=”{}” theme_builder_area=”post_content”]
A Semana de Arte Moderna (SAM), ocorreu em São Paulo, entre os dias 13 e 17 de fevereiro de 1922 no Teatro Municipal da cidade. Cada dia da semana trabalhou um aspecto cultural: pintura, escultura, poesia, literatura e música. O evento marcou o início do modernismo no Brasil e tornou-se referência cultural do século XX, marcando os 100 anos da independência do Brasil.
Agora passados 100 anos da Semana de 22, estamos realizando Fórum multidisciplinar, para analisar os impactos desta verdadeira renovação de linguagem no contexto sócio cultural do país, bem como, para refletir sobre a ruptura ocorrida da vanguarda para o modernismo, compreendendo as novas ideias e conceitos artísticos que perpassaram a produção cultural nacional no último século.
O Fórum para propiciar uma abordagem multidisciplinar, numa perspectiva histórico-cultural-júridica foi estruturado em quatro eixos:
I – Perspectiva Histórica e impactos presentes da SAM
II – Antropofagia e Re-antropofagia
III – SAM, direitos culturais, patrimônio e mercado artístico brasileiro
IV- SAM, autoria e artes visuais
Veja a programação completa:
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_3_font=”|700|||||||” header_3_text_color=”#a61b40″ header_3_font_size=”28px” header_3_line_height=”1.2em” header_4_line_height=”1.2em” custom_margin_tablet=”” custom_margin_phone=”|-25px||-25px|false|true” custom_margin_last_edited=”on|phone” custom_padding_tablet=”” custom_padding_phone=”” custom_padding_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”]
Dia 14/02 – Abertura – Tema geral: Perspectiva Histórica e impactos presentes da SAM
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“As contradições da construção da SAM”
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“As contradições da construção da SAM”
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“As contradições da construção da SAM”
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“Direitos Culturais e SAM”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Prof. Luis Fernando Lopes Pereira” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Luis-Fernando-Lopes-Pereira.png” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”http://lattes.cnpq.br/2562222304915449″ link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“A SAM e as repercussões dos 100 anos da Independência do Brasil”
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“Sobrevoando apropriação e resistência cultural e artística: (des)semelhanças entre a SAM e o Museu”
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Dia 15/02 – Tema: Antropofagia e Re-antropofagia
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“Direito autoral indígena em debate”
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“Entre as cigarras, pedras, bananeiras e inhambu: outros cantos de nossa avô.”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Luise Malmaceda” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Luise-Malmaceda.png” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”https://www.linkedin.com/in/luise-malmaceda-50a99aa2/” link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“Antropofagia como teoria itinerante na cultura brasileira”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Prof. Alexandre André Nodari” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Alexandre-Nodari.png” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”http://lattes.cnpq.br/3298943752969192″ link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“Os povos indígenas na vanguarda antropófaga”
[/et_pb_blurb][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.17.3″ _module_preset=”default” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_button button_url=”https://www.youtube.com/watch?v=nKqBALRq8O8″ url_new_window=”on” button_text=”Assista Agora” button_alignment=”center” _builder_version=”4.17.3″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#a61b40″ button_border_width=”0px” button_border_radius=”5px” button_font=”|600|||||||” hover_enabled=”0″ locked=”off” global_colors_info=”{}” transform_styles__hover_enabled=”on|hover” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|desktop” transform_rotate__hover_enabled=”on|desktop” transform_skew__hover_enabled=”on|desktop” transform_origin__hover_enabled=”on|desktop” transform_scale__hover=”105%|105%” theme_builder_area=”post_content” sticky_enabled=”0″][/et_pb_button][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_3_font=”|700|||||||” header_3_text_color=”#a61b40″ header_3_font_size=”28px” header_3_line_height=”1.2em” header_4_line_height=”1.2em” custom_margin_tablet=”” custom_margin_phone=”|-25px||-25px|false|true” custom_margin_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”]
Dia 16/02 – Tema: SAM, direitos culturais, patrimônio e mercado artístico brasileiro
[/et_pb_text][et_pb_divider color=”#a61b40″ divider_weight=”3px” _builder_version=”4.16″ _module_preset=”default” width=”62%” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}” theme_builder_area=”post_content”][/et_pb_divider][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Prof. Marcelo Miguel Conrado ” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Professor-Dr.-Marcelo-Conrado.jpg” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”http://lattes.cnpq.br/3469653603954623″ link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“Moderador”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Prof. Francisco Humberto Cunha Filho ” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Professor-Dr.-Humberto-Cunha.jpg” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”https://g1.globo.com/ce/ceara/especial-publicitario/unifor/ensinando-e-aprendendo/noticia/2021/07/20/professor-da-unifor-ressalta-papel-dos-direitos-culturais-na-sociedade.ghtml” link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“SAM, tortos e Direitos: ecos macunaímicos”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Profª. Inês Virgínia Prado Soares” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Ines-Virginia-Prado-Soares.png” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”https://www.ajufe.org.br/imprensa/noticias/16271-conheca-a-historia-da-desembargadora-federal-ines-virginia” link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“SAM e patrimônio artístico brasileiro”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Prof. Marcílio Toscano Franca Filho” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Marcilio-Toscano-Franca-Filho.png” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”http://lattes.cnpq.br/9944148580579344″ link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“Epitácio: Outro Pessoa Modernista”
[/et_pb_blurb][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.17.3″ _module_preset=”default” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_button button_url=”https://www.youtube.com/watch?v=1ElYAW8zouw” url_new_window=”on” button_text=”Assista Agora” button_alignment=”center” _builder_version=”4.17.3″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#a61b40″ button_border_width=”0px” button_border_radius=”5px” button_font=”|600|||||||” hover_enabled=”0″ locked=”off” global_colors_info=”{}” transform_styles__hover_enabled=”on|hover” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|desktop” transform_rotate__hover_enabled=”on|desktop” transform_skew__hover_enabled=”on|desktop” transform_origin__hover_enabled=”on|desktop” transform_scale__hover=”105%|105%” theme_builder_area=”post_content” sticky_enabled=”0″][/et_pb_button][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_3_font=”|700|||||||” header_3_text_color=”#a61b40″ header_3_font_size=”28px” header_4_line_height=”1.2em” custom_margin_tablet=”” custom_margin_phone=”|-25px||-25px|false|true” custom_margin_last_edited=”on|phone” global_colors_info=”{}” theme_builder_area=”post_content”]
Dia 17/02 – Encerramento. Tema: SAM, autoria e artes visuais
[/et_pb_text][et_pb_divider color=”#a61b40″ divider_weight=”3px” _builder_version=”4.16″ _module_preset=”default” width=”62%” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}” theme_builder_area=”post_content”][/et_pb_divider][/et_pb_column][/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Marcelle Beatriz Cortiano Nagakura” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/02/Marcelle-Beatriz-Cortiano-Nagakura.png” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”http://lattes.cnpq.br/5774364162647781″ link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“Espaços expositivos e comunicação”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Prof. Paulo Reis” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Paulo-reis.jpg” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”https://ufpr.academia.edu/PauloReis” link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“Projetos modernos no Brasil”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Ana Rocha” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Ana-Rocha.png” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”https://www.linkedin.com/in/ana-rocha/?originalSubdomain=br” link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“Um museu conectado a seu tempo: a criação do museu de arte contemporânea do Paraná”
[/et_pb_blurb][/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_blurb title=”Prof. Marcos Wachowicz” url_new_window=”on” image=”https://data.ioda.org.br/wp-content/uploads/2022/01/Marcos-Wachowicz.png” _builder_version=”4.16″ _module_preset=”default” header_font=”|700|||||||” header_text_color=”#a61b40″ filter_saturate=”0%” link_option_url=”http://lattes.cnpq.br/9040315303540650″ link_option_url_new_window=”on” border_radii_image=”on|292px|292px|292px|292px” border_width_all_image=”2px” border_color_all_image=”#a61b40″ global_colors_info=”{}” filter_saturate__hover_enabled=”on|hover” filter_saturate__hover=”100%” transform_styles__hover_enabled=”on|hover” transform_scale__hover=”105%|105%” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|hover” transform_rotate__hover_enabled=”on|hover” transform_skew__hover_enabled=”on|hover” transform_origin__hover_enabled=”on|hover” theme_builder_area=”post_content”]
“Modernismo e autoria: as obras da Semana de 1922 em domínio público”
[/et_pb_blurb][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.17.3″ _module_preset=”default” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.17.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_button button_url=”https://www.youtube.com/watch?v=vS25RcU0ls8″ url_new_window=”on” button_text=”Assista Agora” button_alignment=”center” _builder_version=”4.17.3″ _module_preset=”default” custom_button=”on” button_text_color=”#FFFFFF” button_bg_color=”#a61b40″ button_border_width=”0px” button_border_radius=”5px” button_font=”|600|||||||” locked=”off” global_colors_info=”{}” transform_styles__hover_enabled=”on|hover” transform_scale__hover_enabled=”on|hover” transform_translate__hover_enabled=”on|desktop” transform_rotate__hover_enabled=”on|desktop” transform_skew__hover_enabled=”on|desktop” transform_origin__hover_enabled=”on|desktop” transform_scale__hover=”105%|105%” theme_builder_area=”post_content”][/et_pb_button][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”16px” header_3_text_color=”#a61b40″ header_3_font_size=”28px” global_colors_info=”{}” theme_builder_area=”post_content”]
Dinâmica do Fórum
A cada dia haverá um moderador do GEDAI ou convidado, que apresentará os palestrantes. Cada palestrante terá 15 minutos para exposição de seu tema.
O princiapal objetivo do Fórum é trocar ideias sobre a Semana de Arte Moderna que ocorreu em 1922, para tanto cada expositor abordará uma temática especifíca, apresentando argumentos e opniões que conduzirão debates e esclarecimentos de interesse do público participante.
Ao final os participantes poderão expor suas opiniões, de modo a desencadear cada vez mais ideias, teorias, e posicionamentos sobre a importancia da Semana de Arte Moderna de 1922.
Convidamos a todos a conhecer melhor, debater com mais profundidade e expressar as suas opniões sobre este movimento histórico da formação da cultura, da arte e do pensamento brasileiro.
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Certificados
Os certificados serão atribuídos aos participantes que tiverem 75% de frequência. Com carga horária de 6 horas aula.
[/et_pb_text][et_pb_divider color=”#a61b40″ divider_weight=”3px” _builder_version=”4.16″ _module_preset=”default” width=”62%” module_alignment=”center” custom_margin=”100px||0px||false|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}” theme_builder_area=”post_content”][/et_pb_divider][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”5px|||||” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font_size=”16px” header_3_text_color=”#a61b40″ header_3_font_size=”26px” header_3_line_height=”1.2em” global_colors_info=”{}” theme_builder_area=”post_content”]
Acesse o Formulário abaixo e se inscreva para participar do Fórum sobre os 100 Anos da Semana de Arte Moderna de 1922
O Evento é Gratuito aberto ao Público em Geral. Vagas Limitadas.
As Lives das palestras acontecerão no nosso canal do Youtube. Acesse o link abaixo e se inscreva no canal para não perder as nossas transmissões.
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Realização
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Apoio
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